Bruno Bernard is a graphic- and type designer. He graduated from the École Estienne type design section in 1998 and had his first kicks in the field of cultural communication. He came back to typography in 2005 as a resident of Atelier National de Recherche Typographique. Since then, he's been designing custom typefaces such as the signage type for French railway company (SNCF) as well as personal projects. As an admirer of gothic art and medieval thinking, he gets easily caught into neverending personal design projects, which drives his colleagues crazy.

Franck Jalleau is a type designer, calligrapher, and stonecutter. Former student of the Scriptorium de Toulouse, he has followed the training of Atelier National de Création Typographique and then worked with Ladislas Mandel and José Mendoza. He designed typefaces for Agfa, the city of Brives or the non-profit group ATD Quart-Monde. Sole designer at the French Imprimerie nationale, he develops a program of exclusive revivals since 1990. He equally accomplished several original designs for French passport and ID, tax reference codes and numerous other secure print applications of which we can’t say a word. Teacher at the École Estienne, he frames there the only French educational program in type design. His stonecut letters cant be sighted from the parisian Trocadéro Square to the UN headquarters, along with the small paths of southern Provence. He received the Prix des Graphistes in 1998 and several international prizes among which are 1987 and 1996 japanese Morisawa awards. His successes extend to numerous obscure sports competitions of “palet vendéen”.

Jean-Baptiste Levée is a typeface designer with a focus on exclusive corporate fonts. He designed over a hundred typefaces for industry, moving pictures, fashion and publishing. His designs are featured in the permanent collections of the printing Museum in Lyon (France) and the Klingspor Museum in Offenbach (Germany). He is also the country delegate for France at ATypI. He is a regular lecturer and teaches typeface design at the Caen-Cherbourg school of Arts & Media and at the University of Corte. He is the president of Zone Opaque, artists’ books factory in Pantin (FR). He is a typography writer and editor on pointypo.com.

Independent designer since his degree under the direction of Roman Cieślewicz, Gilles Poplin is an art director and typeface designer.

He commutes between brand identity and editorial design (broadcast, magazine and interface design). He founded his studio based on this expertise and by gathering around him the array of skills he met during fifteen years. His interest in typography and typeface design is a key feature in his vision of graphic design. In this respect, he designed 11 strongly graphic display typefaces for the “02” contemporary art magazine with Sylvia Tournerie. He teaches graphic arts and art direction at Ésag Penninghen school and teams with Canal France International as a media expert for emerging countries (Thailand, Tunisia, Algeria etc.).