Bruno Bernard

Associate, Designer.
BAT typefaces: Adso
Bruno Bernard is a graphic- and type designer. He graduated from the École Estienne type design section in 1998 and had his first kicks in the field of cultural communication. He came back to typography in 2005 as a resident of Atelier National de Recherche Typographique. Since then, he's been designing custom typefaces such as the signage type for French railway company (SNCF) as well as personal projects. As an admirer of gothic art and medieval thinking, he gets easily caught into neverending personal design projects, which drives his colleagues crazy.

Franck Jalleau

Type designer, calligrapher, and stonecutter.
BAT typefaces: Francesco

Franck Jalleau is a type designer, calligrapher, and stonecutter. Former student of the Scriptorium de Toulouse, he has followed the training of Atelier National de Création Typographique and then worked with Ladislas Mandel and José Mendoza. He designed typefaces for Agfa, the city of Brives or the non-profit group ATD Quart-Monde. Sole designer at the French Imprimerie nationale, he develops a program of exclusive revivals since 1990. He equally accomplished several original designs for French passport and ID, tax reference codes and numerous other secure print applications of which we can’t say a word. Teacher at the École Estienne, he frames there the only French educational program in type design. His stonecut letters cant be sighted from the parisian Trocadéro Square to the UN headquarters, along with the small paths of southern Provence. He received the Prix des Graphistes in 1998 and several international prizes among which are 1987 and 1996 japanese Morisawa awards. His successes extend to numerous obscure sports competitions of “palet vendéen”.

Jean-Baptiste Levée

Associate, Designer.
BAT typefaces: Acier BAT
Jean-Baptiste Levée is a typeface designer. He received a degree in type design from École Estienne and he is the country delegate for France at Association Typographique Internationale (ATypI). He designed typefaces for international brands and publications, and developed fonts for some of the major foundries. He spreads the typographic word during workshops and lectures around the world, in print and online press, and during his course at the Arts & Media School of Caen and at the Corte Technological University. Since 2003, he ranks French #1 in Diäsch, a sport counting 1 active member in France. When he’s not busy developping fonts and software for the BAT, he rides the road of the greater Paris on a yellow motorbike.

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